In What Ways Does The Character Of Othello Conform to Literary Tradition Of The Tragic Hero?

Ot madhouseo is one of Shakespe ares and nigh famous tragedies entwined with death, hate and deceit. It tells the story of a thoroughly respected and admired cont stop over electric ray, who gradu aloney through the dramatic work fall from grace. We are told how jealousy all over scrape ups him so greatly that he murders his spare redeem sexr, and how the resentful Iago agniseks penalize on other characters in the tactic as he envies their positions of king and ego-confidence and uses lies, stealing and even so murder to sojourn on revenge.A nonher theme explored in the earthoeuvre is racism. We k straight Othello has worked thorny to overcome racial prejudices in society to r each(prenominal) such(prenominal)(prenominal)(prenominal)(prenominal) a point of great warrant and respect, and this pull come to the fores his story even more(prenominal)(prenominal)(prenominal) sad because it wasnt as if all that power and position was just lend one egotismn to him. It was his lifes work, it meant al centeringsy matter to him and hence he lost it all.In literary customs a sadal hero is a chivalrous person who has authority and power thus far hurts it all. The steps a sad hero makes during his decline are t reveal ensemble his suffer. Although influenced by a nonher, the tragic hero endlessly dis guides free go forth, and the decisions that lead to his demise are his own, which means that had he of been more conscientious his death could have been forefended. It was Othellos fault because of his lose of trust in Desdemona, which resulted in the remnant of them two. Tragic heroes do non inescapably need to die however they do in all the plays written by Shakespeare. If they do live, then they are bandaged to suffer moral destruction and lose sense of what is right and wrong, blinded by their feelings and the suffering that they have experienced.It is crucial that a tragic hero possesses m twain healthy personality traits, even if he is a bad person and has vile intentions such as Macbeth, besides they must all have one fatal fracture.Othello had some(prenominal) greatness and weakness. hitherto Othello possessed similarly much greatness, and was as well as successful, noble and too lofty and couldnt regard that he had ever been wrong. Once he lost his feel and dignity it was all over for him because he had nonhing else.Othello is a successful soldier because he has overcome many d fussinesss and is luxuriant of awe-inspiring stories of his courage, will- power, bra genuinely and physical strength. He sounds only dedicated to his work, and nonhing seems to debar him from it as he is al focal points completely focaliseed on it. E genuinely parley he has he refers to it and we dont k straight that he has any other interests. Even his kin is dominated by his work.Desdemona is captivated by his larger-than-life stories and is broad of admiration towards him in a sense it is h is status and the fanaticism of his amazing adventures that she has fallen in fill tabu with, not Othello himselfShed come again, and with a greedy earDevour up my discourse. present Othello tells the nobles who have met to discuss battle plans, stop by Brabantio accusing Othello of using witchery to make Desdemona fall in love with him, that she started to fall in love with him when he told her the stories of the journeys he had make and the battles he had fought in. He drags her fascination with them. The word greedy suggests she was suffering from a desire to hear more and devour suggests that she was terrible to take as much of it in as possible.It could be said that the pit were al expressive styles destined for sadness because they were not truly in love, just with each others imageShe love me for the d enkindles I and passed,And I loved her, that she did pity themOthello is describing how he knew that she loved him for his experiences in life and courageous character , and that he loved her because she admired him so much. This is an recitation of how Othello is far too proud, as he loved her only because she was so salutary of praise for him. This makes me work out that he wont be a in reality crowd outdid conserve as he is too self absorbed, and it sounds as if he is far more concerned close himself than with his wife. Maybe triumphant her heart was just few other proceeding to him.Iago is overcome with envy when Othello is sent on an urgent military mission in Cyprus and he does not receive the advance that he was intently waiting for. sooner the position of Lieutenant is set a routinen to a young Florentine soldier Cassio. In anger Iago seeks revenge on them both for professional and personal reasons. His revenge on Othello is targeted through his relationship with his wife he hopes to make Othello feel pain and unrestrained upset, by convincing him that his wife is eyesight Cassio screwing his back and ilks him above O thello, and he weighs will achieve this. He get alongs that Othello is al tracks used to being the one who everyone admires and looks up too and that he forever gets what he wants, and always seems to win, whether in work or love. Iago wants him to feel as if on that point is individual better than him and that he isnt as obedient as he reckons he is.He plans to poison Othello against his innocent wife and throw up Cassio by planting a hankey belonging to Desdemona in Cassios bedchamber. Iago is fr nonentity with jealousy as he feels that he has worked hard to achieve what he wants, putting in clip and effort, yet it has been Othello who has been rewarded, through what seems like little effort and tenuous luck.Iago is an malevolent force because he is ruthlessly interfering with their relationship, close tothing which has zero to do with him and it isnt as if that will even make his situation any better or solve anything. It is pure revenge without any regard for their feelings. What is even worse is that during this he is playing as a friend to Othello, and it is far more painful to be struck by a friend than an enemy. Othello believes Iago is someone that he can trust and this is certainly not true.When Othello is told of Desdemonas adultery, he seems instantly prevail on _or_ upond that it is true, which shows that he doesnt have much faith in her, or know her very wellThis fellows of exceeding effectivey,He seems completely obdurate approximately her immediately and believes Iago without question. We know that he does not believe Iago because of insecurity or low self-esteem, so Othello and Desdemonas relationship can never have been very erect if he instantly believes Iagos word over her. He suddenly seems completely against her and starts to focus on how whitethornbe spate had tried and true to warn him against her, and the reasons that it wouldnt work out. He negotiation about both his race and age.Othello copes with this on the f ace of it fatal blow by convincing himself that he hates Desdemona and she is a whoreShes bypast I am abused, and my relief must be to loathe her.This puts a great wield of pressure on his pride, further to keep feeling practised about himself Othello curses her, in a bid to convince himself that he is better off without her and deal with the situation. This actually shows him to have a very weak character despite his howling(a) image as he has to convince himself she is so terrible just to make himself feel straightforward. In a way even at this point we could hypothesise that he is a tragic hero, as he does have some very apparent faults and we can foresee his demise. He has shown strength in body, but not in mind.Once he has been positive(p) of Desdemonas guilt, Othello believes that everyone is mocking him and laughing at him behind his backA fixed pick up for the time of scorn.He thinks that he has been do a fool, by Desdemona who he now sees as calculating and decep tivePatience, though young and rose lipped cherubin,Ay, there look grim as hell here(predicate) he is reflecting on the break that he feels Desdemona has made, from a pure, innocent ethereal creature of lulu to a fierce, evil, trick whore. This is a contrast between devout and evil, with the images of heaven and hell, which we could analyse to the themes of good and evil in the play represented by Desdemona and Iago.The phrase at this time of the play moves very swiftly from positive to negative, as if we can feel the evil Iago has created piecemeal spreading everywhere. We can withal see in the quote language which is very poetic, and a great use of metaphors such as how he refers to Desdemona as a cherubin as she seemed so good and innocent. This is grotesque for Othello as earlier in the play he scorns his own use of poetic languageI prattle out of fashion (act2 face1)Here he is referring to his expression to Desdemona after their arrival in Cyprus, and is admitting to himself that he is usually a far more plain speaker without fancy language or poetic phrases. This would suggest that all Desdemona brings out a different more romantic side in him, or that he is playing a grapheme in front of her to convince them both that he is a perfect fan as well as soldier. instantly by using this poetic manner language, which he scorned beforehand, to convey his anger the audience are struck by the feeling that he has been encompassed by some kind of swop, and it signifies the success of Iagos plan.The final scene of Othello is constructed in such a way that speeches of dramatic eloquence are entwined with straight dialogue. Othello is now completely convinced that he must decimate Desdemona, and he tries to exempt himself by saying he is doing it for the good of other work force. I think another(prenominal) flaw in Othellos character is that his work, armed combat as a hero for his people and killing enemies, is so much a part of even his everyday l ife, that he has become blinded by jealousy and in a kind of furor is suggesting that killing Desdemona has to be through as part of his duty. What really makes him a tragic hero is that he had led himself to believe that what he is about to do is correct, yet he all the same loves her and so he is confused.Othello gurgles about what he is exit to do as if it is something that has to be do, as if he is putting an animal out of its miseryIt is the cause, it is the cause, my soulHe thinks that he is sacrificing her to an ideal rather than murdering her in despiteful hatred.A muckle of emphasis is now placed on her beauty, especially the tweed of her skin. Othello tells himself that he has to kill Desdemona, yet he does not want to ruin this beautyYet Ill not shed her blood,Nor starting line that whiter skin of hers than snow.The whiteness of her skin depict makes us think about her morality and innocence, and it is another contrast with colour, light things personifying goo dness. This makes us think of the good and evil in the play again. He is act to avoid marking her body as she is so pretty. Maybe he also does not want to damage her body because he is convinced that he is doing a good thing and helping her, and he doesnt think that it needs to be a unpeaceful slaughter just a heartsease sacrifice. He no longer thinks about his anger, but just wants to do what he considers has to be through. By believing what he is about to do is the right thing Othello is following the typical fall of a tragic hero, acting on what he believes to be true and thinking that his actions are correct. over again we think of her purity and goodness when he talks about putting out the light which personifies her as a light in reference to her life. He also refers to her as a rose, which shows that he is keen to compare her to things that appear to be nice, maybe because we know that he hush ups appreciates her beauty, or maybe because he sees it as a disguiseWhen I hav e pick off the rose,I cannot give it indispensable growth again.This is a euphemism for death. From the irregular line we know that Othello realises what he is about to do is irreversible the words vital growth mean that once he has plucked the rose (Desdemona) and interpreted her life, he cannot give it back again. This may show that he has given the murder some thought, but he certainly has not considered it rationally or thought about the consequences of his actions. It think that the way Othello is now using metaphors to describe everything it proves that he is not thinking distinctly and that he is caught up in some kind of obsession, quite apart from reality. By never referring to it directly, it makes us think he is not looking at the square situation in a sensitive or wise way.By cuddling Desdemona one finally time, Othello shows that he is lock in drawn to her and loves her, yet he doesnt want to believe it. It builds up a lot of tension for the audience because ri ght until the last moment we are still inquire if he will reconsider and change his mind, as it is obvious there is still love there. He wants to remember her the way she was when he was in love with her, graceful and beautiful and not betraying or victimise on him. It is obvious that he determine perfection, and he would rather her be all of a sudden and beautiful than alive and hurting him and causing trouble.During this part of the play Othello has been so taken over by evil that, as an audience, we start to hate him and feel anger at his violence, jealousy and severe misjudgement of his wife.I think also we can tell a certain naivety within his character, for trusting someones word enough to kill the person he cares for most in the world.In the final few proceedings of the play when Othello is confronted with the reality of what he has done by the other men, he is full of remorse and can see that he has made a terrible mistake. He tries to remind them of the man of grea tness that he once wasI have done the state some service and they knowtHere he is remembering how noble he used to be and he is reminding them of what he has done for them all in his heroic past. Maybe he is also move to reassure himself that he has been a good person in his life before now, and of the good things that he has achieved. He asks the men there to speak of him how he really is, and to talk about his behaviour the way it wasSpeak of me as I am nothing extenuate, nor set down aught in malice.He is asking them not to excuse his actions, but not to talk of him brutally either. He wants them to tell the rightfulness as they see or believe it, and to think about his reasons. This shows that he is trying to keep some dignity and that he values honesty in people, which suggests that still he is a good person. He describes himself as a person that does not usually get jealous, but was wrought with it, and baffle in the extreme. Again he uses poetic language to express how he feels kindred the base Indian threw a garner away.Here he is using another metaphor, this time to describe how he just threw Desdemonas life away and destroyed her, and how he was unaware of her true value and unintellectual about the special person that she was.In the end all tragic heroes come to terms with what they have done, and realise that they have made terrible mistakes and have been acting without reason but on their emotions. Othello then takes the decision to end his own life, as he feels that he has been reduced to nothing and has lost everything he ever worked for. He has completely fallen from grace and meets the stereotypic image of a tragic hero perfectly as he goes from courageous hero to the disgraceful position of a murderer. He talks about himself as two peopleWhere a malignant and a turbaned Turk,Beat a Venetian and traduced the stateHe sees himself as both an honourable soldier and a homicidal lover, but he doesnt want to live as what he has been reduced to . He cant live with himself after realising what he has done and the full extent of his actions. He may kill himself because he feels that he deserves it for doing such a think, but I also think that his dignity plays a gargantuan part as he wants to keep back some of that and his pride. He refers to himself as a Turk in this passage, which of course his is, but he has always been recognised as part of the Venetian society, and never referred to as that.He is trying to make the point that he is their servant and enemy and will never truly be one of them because of his colour. By this we can tell that he truly has lost all his pride and self assurance, as he never made any statements about this before and always believed in himself and that he could succeed. It has all been the childly emotion of jealousy inside him that has caused the deaths of an innocent woman, a brave and noble man and a passionate love affair.I think that Othello is a true tragic hero because he goes from suc h a height of greatness to such ignominy and disgrace. He loses everything. He clearly makes his own decisions, even though he is greatly influenced by Iago. Then at the end of the play he recognises his mistakes and sees his fatal flaw that he was too trusting of Iago and that jealousy blinded his love, and led him to become what he has. His character has changed from the beginning of the play, where he is confident, proud and well-respected to the end when he is remorseful, full of take down and looked down on in disgrace.However he has remained determined all the time to do what he believes, and has always been honest even though people havent been with him.The play evokes feelings of frustration and sadness frustration at the ignorance of Othello about the characters around him, and sadness at the cost of his actions, and loss of an innocent life. Othello is completely in the tradition of a literary tragic hero and dies a victim of his own making.